Clearly once a Canon 70-200 f/2.8 IS lens is mounted on it, the weight will go up considerably!Ĭoupled with the right lens though, and this will be a very inconspicuous and easy to mount system where discretion is required. Although the weight of your final system will depend on what you mount on it. The body of the Micro Cinema Camera is very light at 11oz. It feels nice to hold, and just like its stablemates there’s a consistent industrial design theme running throughout. The BMMCC is no exception, with a magnesium allow chassis, solid lens and battery mounts and straightforward controls. I don’t care what anyone says, the build quality of the Blackmagic cameras is fantastic. However it does have some crossover and complimentary uses to the BMPCC as we’ll see. Or is it? While the BMPCC is a general use system, the BMMCC is aimed at highly specialised applications, such as being hidden, or as a stunt camera. In some ways it is, but it isn’t really aimed at the same market. Suffering from similar delays to the Ursa Mini 4.6K, for the same reasons relating to engineering difficulties with regard to the promised global shutter modes, the BMMCC is now, finally, here.Īt first glance the BMMCC appears to be successor to the Pocket Cinema Camera. But slightly under the radar the Micro Cinema Camera has also been released into the world. ![]() ![]() It is after all a camera that could deliver a swift and painful kick in the nuts to some of the competition. The Ursa Mini 4.6K has been the camera that has been stealing all of the headlines, and rightly so. Though it has been inevitably overshadowed by the Ursa Mini 4.6K, Simon Wyndham reckons that the Blackmagic Micro Cinema Camera is well worth a look for specialist uses and more. ![]() Small but perfectly formed: The Blackmagic Micro Cinema Camera
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